導師資訊

Room R310, Macau University of Science and Technology, Weilong Road, Taipa, Macau, China

澳門科技大學

澳門科技大學-創新工程學院

Director of Academy of Music

https://fa.must.edu.mo/person/administrative-staff.html?locale=zh_CN

量子計算賦能音樂創作的技術創新與實踐應用

Technological Innovations and Practical Applications of Quantum Computing in Music Creation

1302 音乐与舞蹈学

1302 音乐与舞蹈学

1. Interdisciplinary Background & Research: Relevant doctoral degree; solid music-tech interdisciplinary foundation. Pref. national/provincial research experience. 2. Quantum Computing & Music Innovation: Proficiency in quantum music principles & AI composition tech; research/app/compose experience. Pref. quantum music composition, intelligent system dev or software copyrights. 3. Academic Outputs & Composition: Master research methods; independent SCI/SSCI/EI publication capability. Quantum-AI music composition innovation & independent creation. Pref. international academic exchange or original work awards/exhibitions.

Professor Zhong Zheng has accumulated 35 years of experience in university teaching, scientific research, and academic administration. Currently serving as Director and Professor of the Academy of Music at Macao University of Science and Technology (MUST), he has long been committed to interdisciplinary research fields including Music Analysis, Music Education, and Musical Intangible Cultural Heritage Studies, boasting a solid theoretical foundation and extensive practical experience in interdisciplinary music research. Meanwhile, Professor Zheng possesses profound experience in supervising doctoral and postgraduate students, and has achieved remarkable accomplishments in interdisciplinary academic research, talent cultivation, and cultural heritage inheritance.

1. Resume 1.1 Current: Director & Professor, Academy of Music, Macao University of Science and Technology (MUST); 1.2 2010-2023: Founding Dean and Second-Class Professor, School of Music, University of Jinan; 1.3 2015: Senior Visiting Scholar, University of Alberta; 1.4 2009-2018: Full-Time Research Fellow, Central Conservatory of Music; 1.5 2006-2010: Professor and Dean, School of Music, Shandong University of Arts; 1.6 2004-2006: One of China’s First Postdoctoral Fellows in Musicology, Shanghai Conservatory of Music; 1.7 2001-2004: Doctor of Philosophy (PhD) in Music Analysis, The Chinese University of Hong Kong (CUHK). 2. Honorary Titles Leading Talent in Philosophy and Social Sciences under the National Special Support Program, National Cultural Celebrity and Member of the "Four Batches" Talent Program, Member of the Ministry of Education's "New Century Excellent Talents" Program, Leading Director of the National First-Class Undergraduate Program Construction Site; Taishan Scholar Distinguished Professor of Shandong Province, Young and Middle-Aged Expert with Outstanding Contributions in Shandong Province, Shandong Social Science Celebrity, Expert of the First Batch of High-End Think Tank Talents in Shandong Province, Excellent Graduate Supervisor in Shandong Province, Famous Teacher in Colleges and Universities of Shandong Province. 3. Social Affiliations Member of the Teaching Steering Committee for Music and Dance Majors in Institutions of Higher Education (Ministry of Education), Expert Member of the Music and Dance Sub-Committee of the National Graduate Education Steering Committee for Professional Degrees in Arts, Member of the Expert Advisory Committee of the China Federation of Literary and Art Circles (CFLAC) Training Institute, Director of the Western Music Society of the Chinese Musicians Association; Standing Committee Member of the Shandong Provincial Committee of the Chinese People's Political Consultative Conference (CPPCC), Director of the Shandong Overseas Returned Scholars Association, Vice President of the Jinan Overseas Returned Scholars Association; Vice Chairman of the Shandong Musicians Association, Vice Chairman of the Shandong Performance Industry Association, Director of the Intangible Cultural Heritage (ICH) Research, Study, Cultural and Creative Performance Committee of Shandong Province. 4. Research Projects Presided over or core-participated in more than 30 national and provincial-level scientific research projects, including National Social Science Fund Projects, National Art Fund Projects, and Key Humanities and Social Sciences Projects of the Ministry of Education. Focusing on the interdisciplinary integration of musicology with archaeology, acoustics, education, and science and technology, the achievements have provided important decision-making support for cultural development and intangible cultural heritage (ICH) inheritance. Representative projects: 4.1 Presided over the National Social Science Fund Project for Leading Talents Research on the Creative Transformation and Innovative Development of Qin and Zheng Qingqu (《琴箏清曲創造性轉化與創新性發展研究》, 22VRC106, ongoing), exploring the modern cross-domain integration of traditional instrumental music; 4.2 Presided over the Key National Social Science Fund Project of the 10th Five-Year Plan A Study of Musical Instruments Unearthed from the Luozhuang Han Tomb (《洛莊漢墓出土樂器研究》, 05AD003, completed), achieving interdisciplinary breakthroughs in archaeology, music acoustics, and cultural studies; 4.3 Presided over the National Art Fund Talent Training Project Training of Performance Talents for Heze String Music in Shandong (《山東菏澤弦索樂表演人才培養》, 15030120180525083796, completed), promoting the cross-border practice of ICH inheritance and art education; 4.4 Presided over the Major Project of the Key Research Base for Humanities and Social Sciences of the Ministry of Education Research on Contemporary Western Music Composition (《西方當代音樂創作研究》, 2009JJD760003, completed), conducting cross-domain exploration of music creation and theory; 4.5 Presided over more than 20 provincial-level projects, deepening the interdisciplinary innovation of musicology across multiple fields. 5. Academic Achievements Centered on in-depth interdisciplinary integration, the academic achievements feature both theoretical depth and cutting-edge nature, covering multi-dimensional outputs such as core papers, monographs/translations, audio-visual resources, and frontier technology R&D. Breakthroughs in quantum computer music have significantly expanded interdisciplinary boundaries: 5.1 Published over 40 CSSCI-indexed papers, encompassing classic cross-disciplinary directions including modal theory, systematic analysis of Messiaen’s music, and archaeology-musicology interdisciplinary research. Notably, works such as The Intersection of Quantum Computing and Music Creation: (《量子計算與音樂創作的交會：〈旋轉 ——Q1 合成器三重奏〉》) have realized the cross-domain integration of quantum information science, computer technology, and music creation. These papers have been published in top-tier journals like Music Research (《音樂研究》) and Huangzhong (《黃鐘》), with some selected as core references in related fields; 5.2 Published more than 10 monographs, textbooks, and translations. Works including A Study of Messiaen’s Piano Works (《梅西安鋼琴作品研究》) and Qilu Intangible Cultural Heritage Series—Traditional Music (《齊魯非物質文化遺產叢書 —— 傳統音樂》) are characterized by the mutual learning of Chinese and Western theories and the integration of heritage studies with cultural anthropology, with several winning national and provincial academic awards; 5.3 Compiled cross-domain audio-visual resources, participated in compiling the musicology overview section of Shandong Social Sciences Yearbook (《山東社科年鑑》), and simultaneously developed frontier technological achievements such as the Q1 Quantum Synthesizer and AI-quantum collaborative music creation. These outputs provide systematic academic support and practical models for the in-depth integration of musicology with quantum information science, computer science, archaeology, and other disciplines. 6. Landmark Awards Won more than 20 national and provincial landmark awards, including the Outstanding Achievement Award in Humanities and Social Sciences Research in Chinese Universities (Ministry of Education) and the Theoretical Review Award of the China Music Golden Bell Award, covering three core fields: academic theory, teaching practice, and artistic creation. 6.1 In the field of academic theory, core achievements such as research on Messiaen’s music and musical instruments unearthed from the Luozhuang Han Tomb have repeatedly won important awards, demonstrating profound academic accumulation; 6.2 In the field of teaching practice, innovative achievements in university talent training models led or core-participated in have won the First and Second Class Shandong Provincial Excellent Teaching Achievement Awards, highlighting remarkable effectiveness in teaching reform; 6.3 In the field of artistic creation, the original work Ode to Qilu (《齊魯放歌》) has won awards in the National College Student Art Performance (Ministry of Education) and Shandong Provincial College Student Art Performance, demonstrating solid practical capabilities. The achievements, featuring both theoretical innovation and practical application value, fully reflect comprehensive interdisciplinary academic strength.

1. Quantum Computing & Musical Creativity: Quantum computing-driven original composition; algorithm optimization, hybrid system development; tech-art synergetic system. 2. Quantum-AI & Traditional Chinese Culture Innovation: Quantum-AI empowers traditional musical elements processing; cross-cultural integration; tech-tradition-integrated paradigm. 3. Transnational-Cross-domain-Interdisciplinary Research: 3D-oriented multi-dimensional research; transnational (knowledge graphs/platforms, outcome internationalization), cross-domain (tool development, composition applications), interdisciplinary (theory integration, quantum-classical musical applications).

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1. Project Title: Technological Innovations and Practical Applications of Quantum Computing in Music Creation（量子計算賦能音樂創作的技術創新與實踐應用）
2. Funding Sources:
2.1 Mainland China: Central Government Financial Allocation
2.2 Macao SAR: Research Project Funding of the Collaborative Supervisor (Professor Zhong Zheng; Reference Number: FA/M/24/0160)
3. Funding Amounts:
3.1 Mainland China: RMB 180,000 per annum per fellow, totaling RMB 360,000 for the entire period
3.2 Macao: MOP 210,000 per annum per fellow, totaling MOP 420,000 for the entire period
3.3 Total Funding: RMB 360,000 + MOP 420,000 (covering postdoctoral salary, research supplies, international academic exchange subsidies, etc., in line with the requirements of the “Macao Young Scholars Program Charter”)
4. Duration: 24 months